The Relations page appears in the Layout Options property window.

In addition to the controls shown below, there are extra buttons which are common to all property windows.

This page allows you to change the layout of the regions in the Relations View.

A preview of the current layout settings is displayed on the right in the Preview area.  As you make changes to the properties, the preview is updated.

At any time, you can press the Apply button to update the workspace in the background and view the actual effect of your changes.

Controls

Filter Bar

Controls whether the Filter Bar should be shown at the Top or Bottom of the screen or whether it should be hidden.

Fretboard Placement

Controls the placement of the fretboard.  Depending on whether you have chosen a horizontal or vertical orientation for the fretboard, your options here will be either Top and Bottom, or Left and Right.

Fretboard Height
Fretboard Width

Controls the height or width of the fretboard (depending on whether you have selected a horizontal or vertical orientation).  This can vary from 30% to 70% of the total available space.

Scales Placement

Controls the placement of the Scale Matrix.  Depending on the orientation you have chosen for the fretboard, your options here will be either Top and Bottom, or Left and Right.

Scales Width
Scales Height

Controls the height or width of the Scale Matrix (depending on whether you have selected a horizontal or vertical orientation).  This can vary from 30% to 70% of the total available space.

Relations Bar

Controls whether to Show or Hide the Relations Bar.

Overlay Labels

Specifies whether overlay labels should be shown in the view for a chord or scale filter, and if so, whether they should indicate the Notes or Degrees of the chord or scale.

There are shortcuts available for this option from the Filter Menu, and several buttons in the workspace.

Overlay Colors

Specifies whether overlay labels should be shown with full color labels, where each note or degree has a different color, or whether all labels should be shown with the same color.

There are shortcuts available for this option from the Filter Menu, and several buttons in the workspace.

Overlay Anchor

If you are using full color labels, you can also specify how the colors are anchored to the notes or degrees.

Anchoring to Notes uses the same color for the same note, regardless of which degree it represents within a chord or scale.  For example, the note C will be shown with a white label in the Cmaj chord (degree 1), the Fmaj chord (degree 5) and the G Major scale (degree 4).

Anchoring to Degrees will always use the same color for the same degree, regardless of which note it produces within a chord or scale.  For example, the degree 1 will be shown with a white label in the Cmaj chord (note C), the Fmaj chord (note F) and the G Major scale (note G).

Reset

Resets all options on the page to their default settings.